What's particularly striking about the ADR studios (and other rooms around the complex) is that space, while plentiful, is not wasted. The rooms are comfortable, attractive, but also very functional and professional.Īccording to David Bell, White Mark's aim in the ADR studios was to make the control room/booth arrangement “As intimate as possible whilst acknowledging that in Russia, and a lot in America, they like to do it with a separate control room.” There are large windows between the two, incorporating a folded glass design that avoids a potentially damaging specular reflection from what would normally be a large flat surface. Both now have colour-grading facilities in too.Īll the mix rooms are an impressive size, especially M1 and M2, which both have generous (and luxurious) seating provision in front of the mix position, complete with bass-shakers. M1 has both 35mm and DCP projection, while M2 has DCP (35mm via telecine). M4 is more of a pre-mix suite and has an Avid Icon surface installed with 5.1 monitoring.

M3 has a 48-fader System 5 surface with 184 channels to mix.Īll three rooms have recently gained Dolby Premier certification. The two largest, M1 and M2, have 96-fader System 5 frames and can mix over 600 channels each. The first three are equipped with Pro Tools and Avid System 5 surfaces. It's a beautiful city, so there's lots of potential outside the studio walls, as well as inside. I was given an extensive tour of the facility by the Managing Director of SoundMix, Vadim Nerukhov the Managing Director of White Mark Limited, David Bell, and the CEO of CineLab, Denis Glinsky.'

The studio is located on the North West outskirts of Moscow, Russia.

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